dm5 alesis manual pdf

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dm5 alesis manual pdfDM5 contains 540 stereo, 18-bit drum sounds that can be assigned to any of the 21 programmable drumsets. 12 trigger inputs enable DM5 to be used with all Alesis drum and cymbal pads, SURGE Cymbals, and the triggering devices from most other major manufacturers. Our Random Sample feature also ensures you don't get the same sound twice for further creative realism. To take fullPage 3 2 DM5 Reference ManualPage 7: MIDI Hookup Chapter 1: Setting UpPage 8: External Triggers Hookup Setting Up: Chapter 1Page 10: Selecting the MIDI Channel Your First Session With The DM5: Chapter 2Page 12: Recalling the Factory Drum Sets Your First Session With The DM5: Chapter 2Page 13: MIDI Chapter 2: Your First Session With The DM5Page 16 Connections: Chapter 3Page 17: Example 3: Using Two or More DM5 Modules Chapter 3: ConnectionsPage 19 Chapter 3: ConnectionsPage 21 Chapter 3: ConnectionsPage 22: Footswitch Hookup Connections: Chapter 3Depending on the type. Page 23: About the Edit Buffer Chapter 3: ConnectionsPage 25: Reading The Display Chapter 4: OverviewPage 32: Copying a Note’s Parameters to Another Overview: Chapter 4When you first. Page 35: Program Change Enable Chapter 5: MIDI FunctionsPage 37: Saving Data via MIDI Chapter 5: MIDI FunctionsPage 39: Overview Chapter 5: MIDI FunctionsPage 41 Chapter 6: External TriggeringSignal 1 is a. Page 43: Trigger Selection Chapter 6: External TriggeringThe first big point in. Page 44: Velocity Curve External Triggering: Chapter 6Page 46: Crosstalk External Triggering: Chapter 6Page 49: Trigger Placement Chapter 6: External TriggeringIt’s a little complicated. Page 50 External Triggering: Chapter 6Page 51: Mounting Hardware and Configuration Chapter 6: External TriggeringPage 52 External Triggering: Chapter 6However, you might. Page 53: Cleaning Chapter 6: External TriggeringPage 55: MIDI Hardware Appendix A: Troubleshooting. Trademarks and Copyrights are property of their respective owners. Login Registration is disabled.http://detector-billetes.com/Imagenes/cagiva-mito-workshop-manual.xml

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We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you are happy with it. Ok. To take full advantage of the DM5 s functions, and to enjoy long and trouble-free use, please read this user s manual carefully. HOW TO USE THIS MANUAL This manual is divided into the following sections describing the various modes of the DM5. Though we recommend you take time to read through the entire manual once carefully, those having general knowledge about drum modules and MIDI should use the table of contents to reference specific functions while using the instrument. Chapter 1: Setting Up. Deals with the necessary preparation before playing, including connections to external devices. Chapter 2: Your First Session with the DM5. This section provides a brief tour of the DM5, shows you how to audition the various sounds of the DM5, and points out the various performance features. Chapter 3: Connections. Details rear panel connections (like MIDI, footpedals and the serial interface), proper hook-up procedures, plus application examples. Chapter 4: Overview. Covers the structure of sound sources within the DM5, how to read and navigate through the LCD display pages, how to edit parameters, and how to store edited Drum Sets. Chapter 5: MIDI Functions. Explains how to edit MIDI parameters. Chapter 6: External Triggering. Describes all external trigger functions. Appendices. MIDI basics, trouble-shooting, maintenance and service information, and the MIDI Implementation Chart. This symbol indicates that this information is vital when operating the DM5. DM5 Reference Manual 1 The shipping carton was designed to protect the unit during shipping. Please retain this container in the highly unlikely event that you need to return the DM5 for servicing.http://esthetique-laser-lamarsa.com/userfiles/cagiva-planet-125-workshop-manual.xml The shipping carton should contain the following items: DM5 with the same serial number as shown on shipping carton AC Power Supply Adapter This instruction manual Alesis warranty card It is important to register your purchase; if you have not already filled out your warranty card and mailed it back to Alesis, please take the time to do so now. AC POWER HOOKUP The DM5 comes with a power adapter suitable for the voltage of the country it is shipped to (either 110 or 220V, 50 or 60 Hz). It s good practice to not turn the DM5 on until all other cables are hooked up. Alesis cannot be responsible for problems caused by using the DM5 or any associated equipment with improper AC wiring. LINE CONDITIONERS AND PROTECTORS Although the DM5 is designed to tolerate typical voltage variations, in today s world the voltage coming from the AC line may contain spikes or transients that can possibly stress your gear and, over time, cause a failure. Relatively inexpensive, these are designed to protect against strong surges and spikes, acting somewhat like fuses in that they need to be replaced if they ve been hit by an extremely strong spike. This is the most sophisticated option. A UPS provides power even if the AC power line fails completely. Intended for computer applications, a UPS allows you to complete an orderly shutdown of a computer system in the event of a power outage, and the isolation it provides from the power line minimizes all forms of interference spikes, noise, etc. DM5 Reference Manual 5 These should be low-capacitance shielded cables with a stranded (not solid) internal conductor and a low-resistance shield. Although quality cables cost more, they do make a difference. Route cables to the DM5 correctly by observing the following precautions: Do not bundle audio cables with AC power cords. Avoid running audio cables near sources of electromagnetic interference such as transformers, monitors, computers, etc. Do not place cables where they can be stepped on.https://formations.fondationmironroyer.com/en/node/8876 Stepping on a cable may not cause immediate damage, but it can compress the insulation between the center conductor and shield (degrading performance) or reduce the cable s reliability. Avoid twisting the cable or having it make sharp, right angle turns. Never unplug a cable by pulling on the wire itself. Always unplug by firmly grasping the body of the plug and pulling directly outward. Although Alesis does not endorse any specific product, chemicals such as Tweek and Cramolin, when applied to electrical connectors, are claimed to improve the electrical contact between connectors. The DM5 has two Main and two Aux audio outputs on the rear panel, as well as a headphone output on the front panel. These can provide an amplification system or mixer with several different audio hookup options: Mono. This also requires that you turn the DM5 s MIDI Thru parameter on. To turn on the MIDI Thru parameter. For more information about MIDI connections, see Chapter 3. DM5 Reference Manual 7 Since the triggers are interactive, the DM5 needs to see all of the signals simultaneously. Therefore, you should make sure that all triggers are connected before you begin editing the External Trigger parameters. Use the table below as a guide for connecting your trigger inputs. The trigger default note numbers correspond to these drum sounds. For more information about Footswitch Control, see page 22. The trigger default note numbers for all pre set drum sets can be found in the DM5 Factory Drum Set Reference Chart. For more information about setting up the External Trigger parameters in the DM5, see pages 18 through 22, and Chapter 6. 8 DM5 Reference Manual Before turning on the DM5 s power, check the following items: Have all connections been made correctly. Are the volume controls of the amplifier or mixer turned down. PLAYING THE DEMO SEQUENCE The DM5 has a built-in demo sequence which demonstrates the wide variety of sounds this amazing instrument is capable of generating.http://chateau-malbrouck.com/images/brother-ns20-manual.pdf To play the demo sequence. The display will read: Playing Demo. ? Press any button to stop the demo. There will be no MIDI out messages during the demo, and the external triggers will be disabled. DM5 Reference Manual 9 A Drum Set is a stored configuration of drum sounds and their parameters. This setup of drum sounds and parameters can be stored so that you can get back to it instantly. When you select a Drum Set, all of its sounds and parameter settings are recalled to recreate the original kit. The DM5 provides up to 21 internal Drum Sets. A Drum Set contains 61 notes. Each note is assigned a voice. Each voice is an actual digital recording, called a sample. There are 4 megabytes of drum and percussion samples to choose from. The voices are organized into groups, for easy selection (Kicks, Snare, etc.). Once a note has been assigned a voice, you may then edit its other parameters. These include Pitch (transposing the playback pitch of the sample), Volume, Panning, and Output (Main or Aux). Using Dynamic Articulation techniques, the timbre (tonal content) and pitch will often change as well, just like real drums. PLAYING THE DM5 The DM5 is shipped from the factory with 21 Preset Drum Sets.This selects the MIDI parameters for editing. There are 5 different pages of parameters; this is page 1. There are three parameters in this page: Root, Chan and Thru. The display will change to indicate the currently selected MIDI channel. For more information about MIDI functions, see Chapter DM5 Reference Manual There are many other parameters of a Drum Set we may wish to edit, however. Refer to Chapter 4 for more information about editing. There are 61 possible notes in a Drum Set. Now, whenever you play a note on your MIDI keyboard, the corresponding pitch will be displayed. When you want to edit a particular note, just play it and there it is. The selected note s pitch will appear in the middle of the display.https://www.scmphotography.co.uk/wp-content/plugins/formcraft/file-upload/server/content/files/1628d1e4f21861---caramelo-manual-24.pdf Changes you make to a Drum Set are temporary and will be lost if another Drum Set is selected. To make changes permanent, you must store the Drum Set (see next section). DM5 Reference Manual 11 The internal memory is designed to hold up to 21 (00 20) Drum Sets. Once you store over an existing Drum Set, the previous Drum Set that was stored in that location is gone forever. The Drum Set s name appears in the display; a cursor appears beneath the first character. RECALLING THE FACTORY DRUM SETS The DM5 includes 21 factory-programmed Drum Sets that are useful in a wide range of applications. Recalling a preset permanently erases and replaces the Drum Set in the location you select. Only recall a preset into a Drum Set location you are sure you don t want to keep. 12 DM5 Reference Manual See the MIDI Supplement in Appendix B if you are not familiar with how MIDI works. The MIDI connections on the DM5 provide three different functions. You can also convert the signals generated by the external triggers into MIDI signals to send out to other MIDI devices (such as a sequencer). To turn on MIDI Thru Mode. DM5 Reference Manual 13. This is illustrated in the diagram on page 17. This connection requires that two MIDI parameters be set to your satisfaction: MIDI Channel and Root Note. MIDI Channel Once connected, you will need to set the MIDI channels on both your keyboard and the DM5 so that they match. You can choose any of the 16 available channels. However, if you are also connected to other MIDI devices from your keyboard, you should consider assigning the DM5 to a MIDI channel that is not already in use. If you do assign the DM5 to the same channel as another device your keyboard is connected to, understand that (when the keyboard is set to that channel) both the DM5 and the other device(s) will be played simultaneously. Note: If you are not sure which MIDI channel your keyboard is set to, set the DM5 to MIDI Channel 00 (omni mode); this selects all 16 MIDI channels.cuacuonbinhduong.com/upload/files/bosch-maxx-5-washer-manual.pdf To set the MIDI Channel. This selects the MIDI parameters for editing. There are 5 different pages of parameters; the bottom left corner of the display will indicate that this is PAGE 1. There are three parameters in this page: Root, Chan and Thru. The display will change to indicate the currently selected MIDI channel. Root Note The default (factory setting) for triggering the notes in the DM5 from a MIDI keyboard is on a 1 to 1 ratio (no transposition). This means when you play a C1, you are triggering the Voice associated with C1 in the DM5. The beginning (low end) of this note window is called the Root Note. By changing the Root Note parameter in the DM5, you can shift the note window up or down, thus changing the relationship between the MIDI keyboard and the DM5 s Voices. To set the Root Note. In the bottom left corner of the display, PAGE 1 will have a square around it. There are three parameters in this page: Root, Chan and Thru. The display will change to indicate the currently selected Root Note. 14 DM5 Reference Manual As described in the previous sections, you will need to set your MIDI Channel and Root Note parameter s in the DM5 to your liking in order to make use out of either of these possible setups. In the illustration below, the DM5 is shown connected to a computer-based sequencer using a computer MIDI interface. This allows you to record on the sequencer what you play on the DM5 (using the external triggers), and then play these recordings back. It is important, however, that in this situation you have the Local parameter turned Off (see next section). DM5 Reference Manual 15 The triggers will generate MIDI note information when played, which can be recorded onto a MIDI sequencer (as long as the DM5 s MIDI Thru parameter is turned off; see page 17).https://spazmedia.com/wp-content/plugins/formcraft/file-upload/server/content/files/1628d1e5f52c3a---Caravan-manual-pump-tap.pdf In this situation, you may want to have the sequencer echo back the information it receives from the DM5 and consequently play the DM5 s voices for those notes (the sequencer may have a different name for this feature, such as Thru mode, Echo, etc.). If the sequencer is echoing back what it receives from the DM5, it is not necessary for the external triggers to directly play the DM5, since this would result in each note being played twice (once by the trigger and then again when the note is echoed back by the sequencer). The solution is to either turn the sequencer s echoing feature off, or turn the DM5 s Local parameter off. The latter is a better choice if you intend to use the DM5 s triggers to record tracks on the sequencer for other MIDI devices (since you wouldn t want to hear the DM5 play when you hit the external triggers). To turn the Local Control off. In the bottom left corner of the display, PAGE 2 will have a square around it. There is only one parameter in this page: Local. The display will change to indicate that the Local Control parameter is turned Off. 16 DM5 Reference Manual This polyphony is shared by all 61 notes in a Drum Set. So, although you have 61 different Drum Voices available to you, a maximum of 16 can be played at the exact same time. Once a Drum Voice is finished playing back, polyphony is restored so another Drum Voice may be played. This is an infrequent occurrence, since usually there are fewer than 16 Drum Voices being played at any given moment; normally they are spaced apart to provide a syncopated rhythm. And since many of the Drum Voices have quick decays, having another Drum Voice triggered hot on its heels will almost never cutoff the Voice that preceded it. MIDI Overflow Mode In the event that you require more than 16 Drum Voices at the same time, it is possible to connect a second DM5 to catch the overflow of notes and consequently accommodate all the Drum Voices you need (for 32-note polyphony).https://www.sussexweddingservices.co.uk/wp-content/plugins/formcraft/file-upload/server/content/files/1628d1e6107d8b---caravan-1998-manual.pdf You can actually connect as many DM5s in a chain as you like to accomodate your needs. For example, connecting 8 DM5s would provide 128-note polyphony. This connection requires that the MIDI Thru parameter be set to Overflow Mode (see below). To turn the MIDI Overflow Mode on. In the bottom left corner of the display, PAGE 1 will have a square around it. There are three parameters in this page: Root, Chan and Thru. MIDI Overflow Mode is now turned on. DM5 Reference Manual 17 It s triggering mechanism is an advanced Signal-to-MIDI converter which incorporates five user controllable parameters. Trigger parameters are independent for each of the twelve inputs, and the set up is global for all Drum Sets. The five types of user controlled parameters are: Gain VCrv Xtalk Dec Nois Gain. This is the signal strength that the transducer is sending to the triggers in the DM5. It s adjustment is very similar to that of a tape recorder s VU meter. With the gain threshold set too low, soft hits may never be recognized. Velocity Curve. There are eight separate curve tables, 0 through 7 which represent the velocity curve, or sensitivity of the trigger input. Curves 1-3 have the least amount of sensitivity; curve 4 has the median, or average type of play sensitivity; and curves 5-7 are the most sensitive. Curve 0 is Unassigned. This is a special situation parameter which is fully explained in page 44. Crosstalk. The Crosstalk parameter is the trigger suppression level adjustment. It is used to control interaction problems between pads or drums. Crosstalk problems can occur when two or more pads are mounted on a single stand or rack. Decay. This represents the signal decay time and threshold of the DM5 s trigger inputs. In other words, Decay controls the amount of time between once a pad has been struck and triggers, to when it will trigger again from another hit.www.easyhairstyler.com/tmp/phpawUm37' to '/home/www/happyhair/easyhairstyler.com/htdocs/www/img/files/bosch-maxx-5-washer-dryer-manual.pdf When properly adjusted, this parameter defeats double triggering by allowing the DM5 to determine which signals are actual hits, and which are secondary decay signals. Noise. This parameter allows you to control the noise floor, or the signal level threshold that an exterior vibration or sound must exceed before it will trigger a drum sound. This is used mostly in situations where the stage volume and vibrations are strong enough to rattle the drum hardware to such a point that the DM5 thinks these vibrations are actual hits. With the Noise set too high, you may experience false, or double triggering. A properly adjusted Noise setting will allow the highest dynamic range for the pad being used. For more detailed information and examples, regarding the functions of these individual parameters, please refer to Chapter DM5 Reference Manual Plug in all of the triggers you will be using. Note Chase is a feature that automatically displays the most recently struck pad, enabling you to easily move around the kit for editing purposes. The lower section shows all 12 triggers; the selected trigger has a circle around it. The above example shows Trigger 1 selected. Only follow this step if you want the trigger to play a different note than what it is already assigned to. Be aware that the gain values are extremely sensitive even in small increments. If the TRIG LEVEL shoots all the way from left to the far right, it indicates that the trigger level is reaching it s full dynamic range. Choose the sensitivity value which bests suits the style of play, or the pads being used. For average play, (hits ranging from very soft to very hard) the default setting of 4 will give you the full range of sensitivity which corresponds to MIDI velocities 1 through 127. Note: Velocity Curve 0, Unassigned, is fully explained on page 44. DM5 Reference Manual 19 After completing these steps, you should be able to play on all of the pads plugged in to the DM5 and hear the sounds being triggered. Before going on to the next few parameters (described in the following sections), you should be aware that the amount of adjustment needed for the remaining parameters will depend on several variables. Since all drum pads do not utilize the same design and materials, they vary somewhat in sensitivity and how they respond to outside surroundings. The factors that most effect the performance of triggers will be your hardware configuration, the different types of pads or drums being used, and the environment in which you will be using the DM5. Crosstalk Note: In our Crosstalk scenario we will use two pads, a snare pad and the tom 1 pad, both mounted on a single stand. If you are using a set up which consists of several pads mounted on one rack or stand, you may be hearing some crosstalk as you play around the kit. Crosstalk is when you hit the snare pad and the tom pad also triggers. This is usually the result of stand vibrations causing the pad (the tom 1 in this case) to trigger. If so, the Crosstalk for this pad needs to be re-calibrated. The important thing to determine is which pad needs the Crosstalk adjustment. Remember, the trigger that needs adjustment is the pad that is false triggering, not the pad being struck. So, if you are hitting the snare pad and the tom 1 pad triggers, adjust the tom pad, not the snare pad. Now, to correct the problem. To Set the CROSSTALK value. In the bottom left corner of the display, PAGE 2 will have a square around it. There are three parameters in this page: Xtalk, Dec and Nois. A properly adjusted Crosstalk level will stop the pad s interaction, and still allow you to play quick hits without loosing any notes. 20 DM5 Reference Manual 22 Connections: Chapter 3 Decay Note: In this scenario we will use only the snare pad. Depending on the type of pads being used and your mounting configuration, you may be experiencing some double triggering. If shortly after the initial strike to the snare pad it re-triggers or sounds a second time, the pad is double triggering. This can be controlled by altering the Decay parameter value. To set the DECAY value. In the bottom left corner of the display, PAGE 2 will have a square around it. There are three parameters in this page: Xtalk, Dec and Nois. A properly adjusted Decay parameter will end double triggering, and still allow you to play fast, repetitive hits on the snare pad. Noise Note: In this scenario we will be using the tom 1 and the tom 2 pads in a live performance situation. The two tom pads are mounted together on a single floor stand, and the Crosstalk and other parameters have already been correctly adjusted. When you play the pads while no other instruments are being sounded, all of the hits are triggering and tracking properly. Now as the band begins and the stage volume is very loud, the stage starts trembling which causes the drum hardware to vibrate. At times the tom 1 and the tom 2 pad are triggering when not being played. This is because the DM5 is interpreting the signals from the stand vibrations as hits. By adjusting the Noise parameter the DM5 can determine which signals are vibrations caused by the surrounding noise level, and which signals are actual hits. To set the NOISE value. In the bottom left corner of the display, PAGE 2 will have a square around it. There are three parameters in this page: Xtalk, Dec and Nois. If the triggering is frequent and strong, try starting with an increase of 20 or more. If the triggering is not as often and is softer in volume, first try adding 10 to the value, then gradually add more if necessary. DM5 Reference Manual 21 23 Chapter 3: Connections. This will protect from the possibility of accidentally editing your settings. Note: Whenever possible, keep some distance between your drum kit and the nearest speaker cabinets (especially bass cabinets), and make sure they are not facing directly at your set up. You can use either a normally closed or normally open momentary contact footswitch. If your footswitch seems to respond backwards (notes sustain unless the footswitch is pressed), turn off the DM5, make sure the footswitch plug is fully inserted into the footswitch jack, then turn the power back on. Make sure the footswitch is not held down when powering up the DM5. The footswitch can be used for either one of two functions: Advancing the DM5 to the next Drum Set; or, To switch the Hi-Hat trigger between three different note assignments. The Footswitch mode is selected on page 3 of the Ext Trig parameters. When set to Advance (Adv), the footswitch acts as a program advance command. Example: If Drum Set 10 is selected and the footswitch is pressed, Drum Set 11 will be selected. When set to Hi-Hat mode (HAt), the footswitch will toggle the Hi-Hat Trigger s note assignment between its normal note assignment (when not pressed) and the Footswitch Held note assignment (when held). In addition, a third note assignment, Footswitch Closed, may be played when the footswitch itself is pressed, without hitting the Hi-Hat trigger (just like a real Hi-Hat would make a sound simply by pressing its footpedal). The Footswitch Closed and Footswitch Held note assignments are selected on pages 4 and 5 of the External Trigger parameters. To set the Footswitch Mode. The display will reflect the current setting. For more information about using the footswitch to control the Hi-Hat Trigger s note assignment, see Chapter DM5 Reference Manual 24 Overview: Chapter 4 BASIC AND DEFINITIONS THE VOICE CHAPTER 4 OVERVIEW Each time the DM5 receives a MIDI or acoustic trigger, it plays a voice. A voice is a sound-generating element with several variable parameters: Drum sound, tuning, volume, output assignment (the voice s audio output can go to either one of two sets of stereo outputs), panning (the voice s audio output can be positioned at any of the seven positions available within the stereo field of the chosen set of outputs), and MIDI note number. Thanks to the DM5 s Dynamic Articulation scheme, the timbre (tonal content) and pitch will often change as well, just like real drums. The Voices have been organized into 8 Voice Families for easy access (Kick, Snare, Hat, etc.).when assigning a Voice to one of the 61 notes in a Drum Set, you first select the Voice Family and the a Voice from within that group. RANDOM VOICES One of the Voice Families, called Random, has a unique collection of Voices. Each Voice within this Family includes a sampling of various other Voices from the other Families. When playing a Random voice, a different sample of the same Voice type will be heard each time it is triggered. This creates a very complimentary human element, just as a real drummer may not play the same drum quite the same way two times in a row or more. ABOUT THE EDIT BUFFER Whenever you select a Drum Set, all parameters associated with the Drum Set load into a temporary memory buffer. As you edit the Drum Set, changes are made to this temporary version rather than the original Drum Set. This is important for two reasons: If you don t like the results of your edit, you can always revert to the original Drum Set. If you do like the results of your edit, you must save the buffer s contents. It can overwrite the original Drum Set data, or be written to a different Drum Set. If you select another Drum Set, the data in the edit buffer will be overwritten with the newly-selected Drum Set s parameters. DM5 Reference Manual 23 25 Chapter 4: Overview Often the default is whatever was selected last. Example: If the DM5 was set to Drum Set 14 just before you shut off power, upon power-up the DM5 will return to Drum Set 14. MIDI NOTE RANGE The DM5 s sounds can be assigned to any note within a 5-octave (61 note) range, from MIDI note 36 to 96. However, this range may be shifted using the Root Note feature (section page 33). For example, the bottom root note could be shifted to MIDI note 0, in which case the highest note would be five octaves above that, or MIDI note 60. Shifting the root note to the highest possible value, 67, means that the highest note will end up on MIDI note 127. DM5 POLYPHONY The DM5 provides 16-note polyphony, which means at any single moment, up to 16 different Drum Voices can be triggered at once. This polyphony is shared by all 61 notes in a Drum Set. So, although you have 61 different Drum Voices available to you, a maximum of 16 can be played at the exact same time. Once a Drum Voice is finished playing back, polyphony is restored so another Drum Voice may be played. This is an infrequent occurrence, since usually there are fewer than 16 Drum Voices being played at any given moment; normally they are spaced apart to provide a syncopated rhythm. And since many of the Drum Voices have quick decays, having another Drum Voice triggered hot on its heals will almost never cutoff the Voice that preceded it. It is possible to connect multiple DM5 modules together to achieve 32-note polyphony or more. See page 17 for more information. 24 DM5 Reference Manual 26 Overview: Chapter 4 ABOUT THE USER INTERFACE READING THE DISPLAY The display is made up of 6 sections. 1) Drum Set Number. This consists of two large digits which indicate the currently selected Drum Set (from 00 to 20). 2) Page Number Strip. When a Function button is selected (lit) which contains more parameters than will fit in the display at once, they will be divided among multiple pages.